Leather
At Three Sixty, every piece begins with the hide. We source exclusively from LWG certified tanneries, verified for quality, consistency, and responsible production. Our range spans full-grain aniline and waxy leathers, embossed and croco finishes, hair-on hides, and recycled leather, each selected for how it ages as much as how it looks. Because the best leather doesn't just last. It improves.
Recycled / Bonded Leather
Recycled or bonded leather is made by shredding leather scraps and offcuts — leftover from the production of full-grain and top-grain leather — and bonding them together with polyurethane or latex onto a fibre backing. The result is a uniform, consistent surface that mimics the look of genuine leather at a more accessible price point.
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Buff Waxy Leather
Buff waxy leather is a type of full-grain leather that has been treated with wax or oil during the tanning process. The wax penetrates the hide, giving it a matte, slightly textured surface with a natural, understated sheen. It is known for being highly durable, water-resistant, and developing a rich patina over time as the wax wears into the leather with use.
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Buff Croco Leather
Buff croco leather is a type of leather embossed with a crocodile skin pattern to replicate the distinctive scale texture of genuine crocodile hide. It retains the durability and natural qualities of the base leather while offering the premium aesthetic of exotic skin, at a fraction of the cost and without the ethical concerns of using real crocodile leather
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Noble Aniline Leather
Noble aniline leather is a top-grain leather dyed exclusively with soluble aniline dyes, with no pigment coating or surface treatment applied. This process allows the natural grain, texture, and character of the hide to remain fully visible. It is the most natural-looking and softest of all leather types, but also the most sensitive — it absorbs moisture easily and develops a deep, rich patina over time that is unique to each piece.
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Buff Crunch Leather
Buff crunch leather is a type of leather with a deliberately distressed, crinkled surface texture created during the tanning process. The characteristic crunch effect gives it a naturally aged, lived-in appearance from day one — making it one of the few leathers that looks better the more it is used.
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Split Seude Leather
Split suede is a leather made from the inner split of a hide — the layer separated from the top grain during the splitting process. The surface is buffed to create a soft, napped texture with a characteristic velvety feel. It is more affordable than full-grain suede but less durable, and more susceptible to staining and moisture damage.
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Every piece is built from more than leather alone. Wood, metal, stone, fabric, and glass are selected with the same rigour as the hide itself.
Mild Steel
Aluminium
Stainless Steel
Brass
Zinc
Metal
Metals-Metal is as considered a choice as the leather it accompanies. For hardware — buckles, feet, studs, and fittings — we work with zinc, aluminium, stainless steel, mild steel, and brass, each selected for its finish, weight, and durability. For product stands and structural elements, we use mild steel for its strength and clean aesthetic. Every metal component is chosen to complement the leather it sits alongside — never to compete with it.
Mango Wood
Pine Wood
Rubber Wood
Teak Wood
Wood
Wood forms the structural backbone of every Three Sixty piece that calls for it. We work with rubberwood, teak, mango, and pine — each chosen for its distinct grain, density, and character. Teak brings natural durability and a rich, warm tone; mango and rubberwood offer a more accessible alternative without compromising on strength; pine adds a lighter, more versatile quality suited to specific forms. Every wood is selected to work in harmony with the leather it supports.
Onyx
Botticino
Marble
Marble brings a natural weight and quiet luxury to select Three Sixty pieces. We currently work with Bottocino marble — a warm, cream-toned Italian stone known for its subtle veining and refined finish. Our earlier collections featured Onyx-effect surfaces that replicated the distinctive translucency and dramatic patterning of natural onyx. Each stone surface is chosen to complement the leather it sits alongside, adding a contrasting texture that elevates the overall piece.
Polyester
Suede
Silk
Fabric
We work with suede for its soft, velvety texture and tactile warmth, canvas for its structured durability, polyester twill for its clean weave and resilience, and silk for moments that call for a touch of refinement. Each fabric is chosen not as a substitute for leather, but as a considered complement — bringing texture, contrast, and variety to pieces where a single material would not tell the full story.
Mirror
Mirror
Mirror
Mirror
Mirrors are used selectively across our bar and living collections, where they serve both a functional and aesthetic purpose. The reflective surface adds depth and visual expansion to a piece — making compact bar cabinets feel more considered and living accessories feel more architectural. Each mirror is integrated into the design with precision, framed or inset to sit flush with the leather and wood surfaces that surround it.
Technique
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Embossing
Embossing is a technique in which heat and pressure are applied to leather to imprint a pattern or texture onto its surface.






